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julen
17 September, 2018
Staffan Julén

Staffan Julén

I am Head of communications at the Institute for Futures Studies, documentary film director and producer. At the institute I have among other things been working on a research project financed by the where I examined how artistic subjective narration can develop the documentary film. 

Head of communications, Artistic Researcher
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10 July, 2015

Jules Holroyd: Holding each other accountable for implicitly biased behaviour

Jules Holroyd, Assistant Professor at the Faculty of Arts at the University of Nottingham. ABSTRACTMany of us will have implicit racial biases: dispositions to certain affective or cognitive responses

Jules Holroyd, Assistant Professor at the Faculty of Arts at the University of Nottingham.
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24 October, 2016
Implicit Mind: What do we want from a model of implicit bias? with Jules Holroyd

Implicit Mind: What do we want from a model of implicit bias? with Jules Holroyd

Recording from the Implicit Mind Workshop at the Institute for Futures Studies in Stockholm, May 2015.

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08 October, 2020

IFFS and Aftonbladet present - The New World

Karin Pettersson, Martin Hägglund, Georg Diez The Institute for Futures Studies together with Aftonbladet Kultur are proud to present the new podcast collaboration: The New World - a podcast series whe

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11 January, 2016

Staff

E-mail address to a certain person consists of:first [email protected]. Management Gustaf Arrhenius, DirectorFor contact, get in touch with Berit Berglund Price below. Berit Berglund Price, Executive AE-mail: [email protected]: +46 70-604 58 58

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17 May, 2024
Completed: Waiting for Life

Completed: Waiting for Life

A minitour with screening of the film "Waiting for Life" and a panel discussion including three former life-sentenced men, two criminologists and a documentary filmmaker will be made in San Fransisco, Washington DC and Stockholm. How can culture and meaningful content change life in prison?

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18 September, 2018

Completed: The worst lie is the documentary – what role does the subjective documentary film play in a post-truth era?

How can artistic narration, based on subjective perspectives, develop the documentary film? The project will spread knowledge and reach new arenas where artistic research is usually not portrayed.

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