2012. Proceedings of the National Academy of Sciences 109:7245-7250.http://www.pnas.org/content/109/19/7245.full.pdf+html

Katerina Vrotsou, Linköping University Event-based data are collections of sequences of ordered events and are encountered daily in a vast number of disciplines. Examples of such data include medical r

Venue: Holländargatan 13, Stockholm Research seminar with Kari Andén-Papadopoulos, Professor in Media and Communication Studies at the Department of Media Studies at Stockholm university. At the Institu

Television and New Media. Special issue: Nationalisms and Racisms on Digital Media. Volume: 22 issue: 2,page(s): 147-165 Abstract This article is based on a case study of the online media practices of th

On the 21st of October The Royal Swedish Academy of Sciences will arrange a seminar with and about The Rolf Schock Laureate in logic and philosophy, professor Derek Parfit. Other speakers include Gusta

I primarily do research in film and media studies but also work as a filmmaker and curator. My main interests lie in film archives, migration, and media archaeology. I have published my research in jou, , and , and have taught at New York University and the City University of New York.

Place: The Institute for Futures Studies, Holländargatan 13, StockholmRegister hereInformality is on the rise. From remote labour and services-on-demand to food trucks and pop-up shops, its transformat

Journal of Economic Theory, vol. 206, 2022. Abstract We experimentally test theoretical predictions on equilibrium selection in a two-player coordination (investment) game. Through a minimal visual vari

Anna Näslund

I am professor of Art History at Stockholm University and researcher at the Institute for Futures Studies. My research focuses on visual culture, picture theory and digitization.  The project Selling Pic traces the genealogy of contemporary AI-generated image hype over 200 years of promoting technologies for the production, reproduction, and circulation of pictures on a mass scale. It aims to understand the historical role of pictures not merely as commodities but as agents of commerce. The project focuses on emerging picture techniques in the 1820s, 1920s, and 2020s, examining iconographic and discursive patterns in pictures of mass reproduction (metapictures) and comparing vernacular picture theories—expressed in advertising copy and trade journalism—with canonical picture theories. Rooted in historical material practices, the project seeks to clarify and expand our understanding of how and why pictures play a central role in the work of selling in modern and contemporary societies.

A multiartistic performative sculpture to visualize the complex connection between our decisions today and the living conditions for future generations.