Kimmo Eriksson, Mälardalen University According to social intuitionist research, moral (or “injunctive”) norms are often not rationally motivated. Where do these norms come from then? We propose that o

Research seminar with Stephen M. Gardiner, Professor of Philosophy and Ben Rabinowitz Endowed Professor of Human Dimensions of the Environment/Director, Program on Ethics at the University of Washingt

Theoria, Volume 84, Issue 4. doi.org/10.1111/theo.12166 Abstract In 1997 John Broome presented the Collapsing Argument that was meant to establish that non‐conventional comparative relations (e.g., “par

Erik Mohlin, Oxford University We exploit a unique opportunity to study how a large population of players in the field learn to play a novel game which has a complicated and non-intuitive mixed strateg

Criminal Law and Philosophy, Volume 12, Issue 1, pp 125-142. Abstract Retributivism may seem wholly uninterested in the fit between penal policy and public opinion, but on one rendition of the theory, h

Theoria Abstract This paper considers the view that the basis of equality isthe range property of being a moral person. This view,suggested by John Rawls in hisA Theory of Justice(1971),is commonly dism

Place: At the Institute for Futures Studies, Holländargatan 13, Stockholm, or online.REGISTERAbstractThe principle of neutrality can be seen as a direct response to the totalistapproach to evaluating popu

Katie Steele: Neutrality About Creating Good Lives - No Panacea For Longtermism

The principle of neutrality can be seen as a direct response to the totalist approach to evaluating populations of varying constitution and size: while the latter holds that the addition of a good lif

Economics & Philosophy Abstract Suppose that a decision-maker’s aim, under certainty, is to maximize some continuous value, such as lifetime income or continuous social welfare. Can such a decision-

How can artistic narration, based on subjective perspectives, develop the documentary film? The project will spread knowledge and reach new arenas where artistic research is usually not portrayed.