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Mistake is to Myth What Pretense is to Fiction: A Reply to Goodman.
Philosophia 45(3): 1275–1282. https://doi.org/10.1007/s11406-017-9812-5. Abstract In this reply I defend Kripke’s creationist thesis for mythical objects (Reference and Existence, 2013) against Jeffrey Go). I argue that Goodman has mistaken the basis for when mythical abstracta are created. Contrary to Goodman I show that, as well as how, Kripke’s theory consistently retains the analogy between creation of mythical objects and creation of fictional objects, while also explaining in what way they differ.

Sakli(g)t 2024: Sveriges första sakprosafestival
Sakli(g)t is Sweden's first festival of literary non-fiction, organized by the Rikstolvan cultural centre outside Simrishamn in collaboration with the Institute for Futures Studies and Linnaeus UniverGiven the central role of non-fiction as a knowledge-transmitting link between science and the public, Sweden needs an arena where the narrative non-fiction book is the focus of in-depth discussions on the politically increasingly hot issues of facts, truth, narrative, reality and how form and aesthetics affect both knowledge itself and what knowledge becomes viable in today's technologically mobile media landscape. Such meeting places for producers and consumers of the documentary genre have long existed in the neighboring Nordic countries, but have not yet existed in Sweden.This year's program includes author talks with Åsa Wikforss, Nicolas Lunabba, Saga Cavallin, Johan Hilton, Lyra Ekström Lindbäck, Gudrun Schyman, Lasse Berg and Elena Kostiutjenko. In total, 50 authors will appear at the festival. Read the . Get .Together with Rikstolvan, the Institute is a co-founder of the festival, which was launched last year. A permanent establishment of the festival has been made possible with funds from the Institute for Futures Studies, Linnaeus University, the Nature & Culture Foundation, the Swedish Academy, the Swedish Arts Council, Simrishamn Municipality and Region Skåne.
Tom Mueller
I am a free-lance writer of non-fiction and fiction. I studied at Oxford (DPhil, Rhodes Scholar), Harvard (BA, summa cum laude), and Alief Hastings High School in rural east Texas. After that, I worke
On the ratio challenge for Comparativism
Australasian Journal of Philosophy, p. 1-11. Abstract This paper discusses a challenge for comparativists about belief, who hold that numerical degree of belief (in particular, subjective probability) i
Never eat a Pigeon with a Pumpkin: a model for the emergence and fixation of unsupported beliefs
This work was presented at the Oxford Symposium on Food and Cookery 2023, and a shortened form of the paper is Chapter 30 in Food Rules and Rituals: Proceedings of the Oxford Symposium on Food and Coo
Time to plan for the worst-case scenario
After two of the most damaging hurricanes in history affected the Gulf of Mexico just a few days apart, the impact of climate-induced catastrophes is finally getting some attention. However, in truth,

The Black Beach: Moving Images between Swedish and Caribbean Shores
How can we understand life on the former Swedish Caribbean colony Saint-Barthélemy? This project aims to add to our undestanding using artistic methods as a complement to the juridical documents available in archives.

Magnus Linton
I made my debut in 2000 with Veganerna (The Vegans) and in spring 2019 I will be releasing the book Text & Stil - om konsten att berätta med vetenskap (Text & Style - about the art of using scienc(2005), (2007), (2010), (2012), and (2015), where I told the fascinating story about the rise and fall of Swedish drug politics.
Jenny Andersson: What is futures studies?
Jenny Andersson, Researcher at Sciences Po & Co-Director of MaxPo in Paris. ABSTRACTAt this seminar, Jenny will present her new book The future of the world. Futurology, futurists and the struggle f
- CANCELLED - Ornit Shani: The Making of Popular Sovereignty in India’s Nascent Democracy
PLEASE NOTE THAT THIS SEMINAR IS CANCELLED Dr Ornit Shani, University of Haifa, Department of Asian Studies.Abstract This talk explores the genesis and first performance of the imaginary of popular sove