The Swedish response to Covid-19 put in context.

How can artistic narration, based on subjective perspectives, develop the documentary film? The project will spread knowledge and reach new arenas where artistic research is usually not portrayed.

Venue: Holländargatan 13, Stockholm Research seminar with Kari Andén-Papadopoulos, Professor in Media and Communication Studies at the Department of Media Studies at Stockholm university. At the Institu

in International Journal for the Study of Skepticism10 (ISSN: 2210-5697). Abstract:A long-standing family of worries about moral realism focuses on its implications for moral epistemology. The underlyi

The Stanford Encyclopedia of Philosophy (Fall 2021 Edition) ABSTRACT Appeals to moral disagreement have figured in philosophical discussions since antiquity, especially regarding questions about the nat, 14). It is often dubious to characterize the thoughts of ancient philosophers by using distinctions and terminologies that have emerged much later. Still, it is tempting to take Sextus to offer an argument against the metaethical position known as “moral realism” and its central thesis that there are moral truths which are objective in the sense that they are independent of human practices and thinking.

Progress in Ethics

This is an international network of researchers from a variety of disciplines, providing a forum for discussions on what progress have been made in the field of ethics.

Erkenntnis, pp. 1-24. Abstract It has recently been argued that indeterminacy and indeterminism make most ordinary counterfactuals false. I argue that a plausible way to avoid such counterfactual skepti

Rivista Internazionale di Filosfia e Psicologia Abstract This paper focuses on cases of epistemically transformative experiences, as Paul calls them, cases where we have radically different experiences t

in Klenk, M. (ed.), Higher Order Evidence and Moral Epistemology, London: Routledge, 2020. (ISBN: 0367343207) AbstractSome philosophers question whether higher-order evidence can support the radical sk

Staffan Julén

I am Head of communications at the Institute for Futures Studies, documentary film director and producer. At the institute I have among other things been working on a research project financed by the where I examined how artistic subjective narration can develop the documentary film.