sectorial
Marte Mangset: Subtle shifts in sectorial power and party affinities: Post-ministerial careers in Norway 1965-2021
Venue: Institute for Futures Studies, Holländargatan 13 in Stockholm or online Research seminar with Marte Mangset,Director at Centre universitaire de Norvège à Paris andAssociate professor, Department
Marte Mangset: Shifts in sectorial power and party affinities: Post-ministerial careers in Norway
Research seminar with Marte Mangset, Director at Centre universitaire de Norvège à Paris and Associate professor, Department of sociology and human geography, University of Oslo. Abstract The paper ex
Selling pictures. Pictorial Economy and Commoditization 1820–2020
This project will place the current discussions concerning AI-generated images in a historical context, comparing it to two previous technological breakthroughs that have affected the use of pictures for commercial purposes.
Åsa Knaggård: Stakeholder interaction – what do we mean and how can we do it?
Åsa Knaggård, Phd in political science at Lund University. ABSTRACTThat scientific knowledge should be useful and that policies should be based on knowledge, are believes that today are increasingly en
Thomas Sommer-Houdeville: Remaking Iraq
- Neoliberalism and a System of violence after the US invasion, 2003-2011 Dr Thomas Sommer-Houdeville, Stockholm University, Department of Sociology. ABSTRACT After the invasion of Iraq and the destructi
Anna Näslund
I am professor of Art History at Stockholm University and researcher at the Institute for Futures Studies. My research focuses on visual culture, picture theory and digitization. The project Selling Pic traces the genealogy of contemporary AI-generated image hype over 200 years of promoting technologies for the production, reproduction, and circulation of pictures on a mass scale. It aims to understand the historical role of pictures not merely as commodities but as agents of commerce. The project focuses on emerging picture techniques in the 1820s, 1920s, and 2020s, examining iconographic and discursive patterns in pictures of mass reproduction (metapictures) and comparing vernacular picture theories—expressed in advertising copy and trade journalism—with canonical picture theories. Rooted in historical material practices, the project seeks to clarify and expand our understanding of how and why pictures play a central role in the work of selling in modern and contemporary societies.
Nina Lager Vestberg
I’m a professor of visual culture in the Department of Art and Media Studies at NTNU (Norwegian University of Science and Technology) in Trondheim, where I coordinate the Media, Data, Museumsresearch g