International Journal of Communication 18(2024) Abstract This article explores the discursive linkages between violent misogyny and violent rightwingextremism in the popular Swedish online discussion foranonymous and relatively unmoderated commenting. Empirically, it focuses on thearticulations of misogyny and anti-feminism mapped onto extreme right ideology includingwhite supremacism in user comments posted across 16 Flashback threads. To analyze theextensive data set, we first drew on a collocation analysis of user comments (N = 20,359)scraped from a strategic selection of threads. From this sample we chose 36 combinationsto be considered for a closer reading. In the second analytical step, critical discourseanalysis coupled with the Essex School’s logics approach helped us unpack the logics ofconspiracy and male entitlement, as well as the fantasmatic projections of Swedish womenas both “race traitors” and “victims” at the heart of extreme right discourse in and beyondSweden today.

Selling pictures. Pictorial Economy and Commoditization 1820–2020

This project will place the current discussions concerning AI-generated images in a historical context, comparing it to two previous technological breakthroughs that have affected the use of pictures for commercial purposes. 

Socio-Economic Review, 2018. Vol 00, No. 0, 1–21. DOI: 10.1093/ser/mwy005 AbstractIn this article, we analyse the striking resilience of for-profit care and service provision in what has often been see

Stefan Svallfors & Anna Tyllström Institute for Futures Studies & Södertörn University, Stockholm ABSTRACT In this paper, we analyse the striking resilience of for-profit care and service provision

Anna Näslund

I am professor of Art History at Stockholm University and researcher at the Institute for Futures Studies. My research focuses on visual culture, picture theory and digitization.  The project Selling Pic traces the genealogy of contemporary AI-generated image hype over 200 years of promoting technologies for the production, reproduction, and circulation of pictures on a mass scale. It aims to understand the historical role of pictures not merely as commodities but as agents of commerce. The project focuses on emerging picture techniques in the 1820s, 1920s, and 2020s, examining iconographic and discursive patterns in pictures of mass reproduction (metapictures) and comparing vernacular picture theories—expressed in advertising copy and trade journalism—with canonical picture theories. Rooted in historical material practices, the project seeks to clarify and expand our understanding of how and why pictures play a central role in the work of selling in modern and contemporary societies.